The WAND tonearm

The Wand tonearm was designed by Simon Brown (Design Build Listen Ltd) in Dunedin, New Zealand and was introduced in 2011.

This is a uni-pivot tonearm using Simon Brown’s own ‘defined contact’ uni-pivot implementation, a unique large diameter carbon fibre arm tube and stainless steel metalwork.

This model, The Wand Classic, is a ‘no-frills’ entry-level model with attractive pricing. Continue reading

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TERMINATOR tonearm (Pt 4) – new arm mount

We all know that the small things matter in hi-fi.  Especially at the front end of the audio system – eg. the pickup cartridge and tonearm.

The Trans-Fi Terminator tonearm is constructed with a 6mm aluminium ‘L’ Mounting Plate.  It’s machined shape and necessary slotted holes, no doubt reduce its structural and torsional rigidity.

Would there be energy loss? Continue reading

AURA Turntable redux – Skipper Wise

The Aura turntable was designed by New Zealander, Dave Whittaker and was manufactured in NZ and Australia over a period of 20 years from the mid 1980s.

This beautiful example of the Aura, is still in use in California at the home of Skipper Wise – musician, recording artist and co-founder of Blue Microphones.

Skipper’s interesting story about his Aura TT tells us also about the affable and gracious man that Dave Whittaker was:  Continue reading

TERMINATOR tonearm (Pt 3) – stop the chatter (updated)

The Terminator linear tracking tonearm combines an air-bearing with a (twin) ‘uni-pivot’ bearing.

Uni-pivot bearings need to be stabilised in order to handle the energy generated by a pick-up cartridge.

In this case, twin pivot points were in metal-to-metal contact with the arm-slider ‘V-brackets’ and some instability or ‘bearing rattle’ can be audible at times. Continue reading

Bargain bin – REGA RB202 tonearm

This guy costs US$395 / £198 – not a small sum, but in hi-fi terms, a bargain I’d suggest.

The current Rega tonearms are descendants of the original legendary RB250/300 tonearms introduced in 1983.  They still sound excellent.  And importantly I think, sound a lot like real music.

I owned (and enjoyed) a Linn Sondek with Ittok tonearm from the same period, for over 10 years, but I don’t remember the Ittok sounding this much fun! Continue reading